Page 30 - MYCONIAN COLLECTION MAGAZINE 2025
P. 30

MOODBO ARD



                 The waves of the Aegean have flowed with the magic of myth. The deep blue of the sea channels the past to the present of the Cycladic archipelago.




















































                                                                                                                                                                               From far left: Jean Seberg, icon of French New Wave cinema, captured in Mykonos, 1968.
                                                                                                                                                                                          Carefree dancers at Platis Gialos beach, Mykonos, 1975.
                                                                                                                                                                                        Princess Soraya with the island’s famed pelican, Mykonos, 1960.











                                       Before Mykonos became a byword for opulence, it was a secret—whispered by the wind, kissed by the
                                       sun, carved in stone. From 1959 to 1979, Christos Poulidis, son of Greece’s first photojournalist, stood as
                                       the island’s lone visual poet, capturing two decades that shimmer between myth and memory. His lens
                                       didn’t just record history—it curated allure. In his hands, Mykonos was effortless elegance. Golden light,
                                       linen shirts, bare feet on marble steps. He chronicled the island's awakening with instinct and persistence,
                                       sending images and dispatches to Greek and international press—crafting, image by image, the myth   Copyright © George Poulidis | Representation & Rights: www.cosmosarte.gr
           B that would one day crown Mykonos as the flagship of Greek tourism and one of the world’s most iconic                                                                                         CHRISTOS POULIDIS (1936–2000)
                                       destinations.  This was an era of divine contradictions: barefoot children darting through whitewashed                                                             Son of Petros Poulidis — Greece’s first photojournalist and
                                       alleys as Jackie O. disembarked in silk; fishermen laughing beside their boats while Onassis and Callas                                                            founder of the historic Poulidis Photographic Archive — Christos
                                       dined above the Aegean dusk. Poulidis saw it all—not as spectacle, but as harmony. The raw and the regal,                                                          inherited both the eye and the instinct for capturing history.
                                       the salt of the earth and the stardust, dancing on the same marble stage. His 25,000 unpublished negatives                                                         From the heart of Athens to the rising glamour of Mykonos, he
                                       are more than memory—they are the mirror of a nation in motion. Mykonos and Delos emerge not just as                                                               chronicled a changing Greece with elegance, precision, and
                                       islands, but as a distilled version of Greece’s explosive postwar transformation, with all its beauty, promise,                                                    timeless sensitivity. His lens gave shape to a nation becoming
                                       and quiet loss. Poulidis didn’t just witness the rise. He gave it form, and light.                                                                                 modern — and to an island becoming legend.


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